关于在短时😄间内🤐🥰-的某几个人的经过

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e(:🤩🤭😪 and f @🤮or a]😐(🤪ll, to 😴the😊i😝.😃😴$r work and the\!i,_[:r `😋🤒🤐]home, *😉to?🤨] the😐😇ir # 🥰p😉😊red😌🤫ictable fu😊😃t🤤🙃😅ure😌😝$🙂. For them 🤒🤔😉duty😉😪)* had already🤣=🤕 become a ;hab+😀it, 😅and !😏😋habit a😗😁% d;:😀🤔uty.😁$ The😶
y did @😬😜🙄 no??t see😁😑% the deficiency of their city]🤢. Th😀😔e😃😃y thoug😂ht the deficiency of their life was n.🤫atura🤕l.🤔😷+ We wanted to break#=( ou🤐,🤭😌t of 🙄😜this conditioning, in 🤑😇😄qu
😝est of another use of t:😏%😉he urban l🤢[ 🤔andscape, in quest of new 😙passions. T*!he🤫🤣 atmosph🙄,ere of a few places ( g ave us?😶 😗😪intimations of the😍]` futu😗😔re powers 🤔!😑🤔 of an architecture😙😏 it would.`😏. be nec🤑🤑😃😷😑e🤩🤨(🤐ss😆ary to creat😪;😔😙e 😷🤒 😴 🤐😆🥰to 🤩\be the support and fram\/ework f😄😝_or l😉🙃?🙄)ess med😀iocre ga😷/😊mes. We ,😷🤤co😉🤐😝ul\😶d expect nothing [!o#?f any😴;t 🙂!hing we 😐-😷😐😃had !😂not+ ours`^🥰elves]😅 \altered.😷+🤗 The urb*😬an envi😌😴🙂ro🤣😙😪😘😬nment proc😉😂😔laimed th🤪😴😔😆e orde😆rs and t😃* $astes of t*🤩he r😊😐😏ul😙😇ing s😊🤒ocie.😋🤔ty just😙🤨🤤😶 as violentl😔#*y as😋🤕😅 \😙_the newspapers.😶😙! It is^🤨🤒😬% man who_🤐😅🙄 makes the😀🤑 unity o🤒 😑🤨f the wo🤐?rld,🤤😃😗 but ma🤨😷😏n has e/😍xtended himsel😌😛😪f!😂% 😗eve🙂🤒🤕ryw` 🤐here. People😛😀 can see😍😉 not 😅🤔😚hi😗😚=ng /^😇😜around them that is😍😍 not t🤪h-😍😒ei😒😚😉r own im:😊😇age; eve,🤤😒rything speak😆 😶s to t😗🤨hem of thems🤢🤨elves.\😋 ?Their very😏🤫
land😅😗scape is 😁 alive😁).🥰🤨🤣 T🤐🥰😄😘]h\^=/e😅)@r!
😂😌e 😋🤐wer🤥😀e obstacles😉( e😐😛😀🙄veryw🤮😙he
😀😔*re. There was ,(😪a cohesion in the o^😇😏b😪stacles 😛😋of all typ@@@🙂es. The😇🤣y maint#*a😶😙ined  th😁🤑e 🤑#coherent r😌😶😅eign 😏o 😅-f pover🤩`ty. Eve+😬ryt:🙂😙hing being conn😅🤤😊ec,😂🙃te🤥/d, it was ne😁🤔:😉cessary to change everythi😷😙^😐ng by a unita 🤣r$😂y s*🤮🤗tru😇ggl😏e, 🤨🤑🤥🤭or nothing. It was nec😏😄*e`*ssary to li😍🤑n😛k🤩 up with th🤒-😙e 😏🤗ma;🤑s/!😶ses, b/😄:ut w🤨[e we🤔,?😏re surrounded $by slee😘😏p.　　Voice 3 The🤪!🤫 dictatorship🙄 🤪🤩( of the prolet🤒ariat is a desperat😇😝🤔$e 😂😪😙struggle, bloody 😇😴and bloodless, violent 😶😔🤔and peaceful, military and eco(😛🤣😝nom((😴-ic, educational 😃=😂and ad\😝 🤤😚m😏*🤭i🤐? 🙃nistra🤥tive, agai nst the f!😇😜😷orces and tr😙😙aditions of🤤, the 🤥old world🙄🤥🤔[.　　Vo😒🤢)😑ice 1 🤭🙄 🤐In🤥; th🤑🤩🤑is cou😍-😍ntr😃[🤕y 😏😉🤩it is once ag🤑🤐ain the men of order w😚🥰%ho h:%😊🤒ave🥰@😆
rebelled. Th😃🤮ey ha😔$ve 🤒reinforced😍😆😉/ their power. ?.Th^😉)😗ey h😉 )🤭\av😄e be😝/😚😋en a🤗😬ble to aggrava🤥🤗@te the 😁😚])🤕gr*otesqueness😗😉 of😌😅😉 the ru🤔🤕😊🤢ling ?🤨😍co🤗😬!😀nditions😛😂😔😪 ac😌😉🤢cor😄😬😛🤒d🤢🤒😛ing 😝🤭to🥰🥰🤥😘 the🤐🤭😂ir w😘😚😏ill. 😒😁`😴🙃They h😉#av🤢🙄e embellished their system with t🤒%😝🤥he fu%🤕nere🤩/\😀al cere😝😅😐😒m😘😏😪onies o🥰f the p😌_ast.　　V*😝$oi;🤩ce 2 Years, l( 😅$ike a single instant prol\_🤔;onged t/🤨o th%😝🤫is\😆
point😙😏,🤑 come to an:^😝 en😜🙃😪;!d.　🤥🤭　Voi.ce 1 What was directly l-ived reappears frozen in the dista;😆nce, f😃🤤+it into th😑?😐e😆😄 tastes an-=d 😙il🤐😬😜l🤒😒😴 😷usion^?s `😄😒of a😇😍😒n 😌😍 😅,#)er😶😋]a, c(😁arr🤫 i😉🤒=ed aw😄😐a🤢,y with it.　🙄-😪　🤑)Voi 
^ce 2 The🤪@🤩😛 appearance of eve😪😃😄nts*  t 😌😌hat we h🙃😛😏😏ave no*😋😃:t m😄ade, #😶`😬that oth🙄😜_ers 🤭😍h\🤫ave made😂😃😀 agai😔🤫 😄nst😋😊🤪@ 🤗
u🤭😁😀😑😙s, now obliges us🥰😁😜😜😘 to be🤑( aware🤔( of the passag)😌😬😄e of ti
m😀[😍e,🤨😔\ i😬😌ts %🤤 🤑results,🥰🤒🤤 t🙃🤔 🤨h_🤪e t😀ransf-/,ormation of ou🤢r 😷^😴o🙂%😄wn🤥😃 desires*:🙂 into events. Wha😍;🤐t d@😶ifferent😇😘i^😴ates th🤫e 😇past 😌😶😁`+from the 😗present is p?🤗)🤪re [cisely its out-of-reach o😉$😑b😶🙂jectivity🤣🙄; th🤥😝😇🤫ere is no mo🤩!😊🤭🤪r😛:e should/😂🤣-be; bein😘*g😀 is-: 🤑-😅so consum#🙃ed %t😋😌hat it 🤥 has ceas😏ed to😍😙% ex(=is🤥$t. The det😁🤢ails ar🤩🤒e😷🤔 al@:ready lost 😚🤤🤪(🙄in the dust😀😄[ of🤑% time. Wh🤥😂😋🤗o 😶
was afra:😛id of l🙃🤭😀ife, afraid😂@🤣 of the night, af😝*_😁rai_!😏🤐d of being take🙃n,😂^ afrai🤒🤢d of 🙃😃bei🤪n🙄]g ke?:pt　　Voice 3 What shou?😴😂🤔ld be abolished😌 con😉🤪: (tin😃]`ues, and 🙄!we 😜🤑%😘continue 🤗t😉😴` o wear awa🤨😍y with it. We are engul😁[🤩fed. We are sep!/arated😏😚`🤕. The years pass and/\ 🤪🤑)w🥰😬🤫🤮e hav🤮🙂🤕)$en🤭't-%
\ /c😛$hanged anythi😆;,n*+😴_g.　　Voice 2 Once /😊\again😬🤭 mo/🤗😆🤗rni😉😅n😙-g in t😶^ h😔]e same streets. Once agai.n 😷😶🤤th+^😋e fatigue of ]@😚so ma
🙂ny similarly pa[)/ssed nigh#+t@s. It i)?🤥s a;😂 walk😂;😒 😙🤫t😉
ha#😀😂😚t has 😷😶😗lasted a long time.　　Voi😷😀😜ce 1 R😜_🤢(eally hard t😇(?🤗o drink*).` mo🤣;🤩🤑😌r😑`🤒😒e.　　Voice🙃🤗 2 Of +🙄 co 😆😃urse  one migh😴😐😌🤔t make😃 🤨😝😂(a 🤔🤫😘film of 😅
🤪it.  But e]😘ven if🤮🤢. such a fi🤣😜😁lm succ😗🤑`?🤤eeds in being as fundamentally disc😄(on🙄😶😛ne\🤢cted and unsa
t$😔isfying a_🤥😀🙃s t🤐
h🤩😑😬e reality it deals with,🤗😗😇😍+ i🤣t will n🤒%😬ever be 😍more t😘
+😙han a re-c😘🤭reat-🥰😊🤫😪ion ” poor 😇🤐🤣a
😇nd fal😛 se like th🤥is botched trav.=^eling 😪 shot.　　🤩😜Voice 3 🙄🤒😄🤭There😅😊 are now pe🤔😇
^o😛😏😙
🤤ple w🤮ho 🤪)pride themselves😂😀😃😏 on ,😷be🤫@`ing a_🤥🤤u+😊^😍thors of f=😜,ilm😛`s🙂%- 🙄,🤐; as ot😁😔😋hers w🤮😋🙃ere authors😅🤐 o🤣😔f no
😁vels😷@😬. Th😴🤒🤔ey are 🤔😐🤪eve🤒n mo🤥😐=😴re back🤢😝!😶w🙃^a?🤐😏😄rd than _🤕the n,ovelists be\ cause/^] they are!%$😷 una[#ware of the 😷dec🤤😃😋🙂ompo*😃😗🤕sition @and 😝🤒🙄;exhaust🤪$!😴$ion of ind😒/😝#ividua+😇😃🤐l 😍😛express😶🤐+ion in our time, i😏gno😜[ 🥰rant of the end of t😜🤨🥰he arts of pas`🤨sivity.😍🤨+. The`
y.😙 are😉😁@ praised for😆🤐 thei🤐😃😴😋r 😶🤔sincer😍.%ity`/😪 since they dramatize, with more🤣[( =`p😙🤑😆-ersona🤫😚😀😉(l depth, #🤒😘-the `[_conventions of which🙃 🙃 th🤭🤣eir life consist_$s. 😑😉🥰🤤T😒?here is talk of the liberati🤨😊on*😒 of the cin😁🤩ema. Bu
😶t w😂😔;😒hat 😌😄😛does it 
😛!😴matter t🤢,o😄 us if one more art is😇🤮, l 😇😄iberat😗`ed through which ::*🤤Tom, Dick or 🤢=-😌H😆-a*😍`_rry can😑😗😪😛 🤭😁🤑!joyously exp😶🤗]😆ress the🤭🤢😘ir 🤮😊 @😗slavish sen🤢 🤪timents The🤔$, only i😔*ntere]🤑😋st😬 🤮😍ing ven😇🤥ture is the li😄b😂🤨era😝]😝tion 🤒😴o😒 f everyday life, n😪🤣ot only 😏`in the pers🙃=#pect😝ives o😝😘f😉🙂 hi🙃.😙\story b\^)🙃ut^🤥 for🤤 us and right away. Thi😂😚😘s entails the wither😒+ing 😙^away of alienated forms 😔😇`:🤒of communication. The 😇🙄
cinem?🤪😬a, too, has to🤫 be 😉]dest`🤔roye😌😅d.　　Voice 2 In(😋😶 the final analysis, s^]🤐😬 tars are🤐
. created 😴🤫#by the 🤭😒need w😷😌e hav
😜😶😴e fo%\,r them,-`😴 and no`t by their tal😍😊😊🤫
ent o🤤:r lack o🤢.😃f talent🤕** or even by t🤩🤒h=_e😉🤣🤕 film🙂` 😪*indus#try _or advertising.😛😋 Mise🤥😁@😷rable🙂😅😋 need, disma😄🤐l, anonymous l ife🤩🤐- th😔😃😚at w😑😄 \oul?d li😉🤒🤣ke😝]🤗) to ex😇\ 🤫pand itself\😷 to t😃(🙃😝he +🙄.😬🤫dimensions 😒#😇@o😉_🤥f cinema li🤑[😋
🤪fe.(🤔😆 T😏he .🙄😁imag😙,😷🤕inary life on t
he!/😶😃🤥 scr🤐😄^@een 🤨😙🤕i🤤🥰😛%s the 🤩p+🤨😇roduc😍,😄t of this re! al nee🙃😋🤐d. 🤥😌😐😁The 🤤 star is t=🤭_😏🤥he proj😆+🤐🤨e🤑🤫ction of this need.　　The images😛! of)🤮 the adve😙rti😉🤫sem😀-ents dur😘$🙃_ing the intermis🤣😒si🤭😉,-ons a🤑😍 🤤+re😒])* m😚)😇😆ore suited😃🙄=😊 than any others😛🤮 for evoki😴ng an in😔termission of life😑🤢.　　T/!
@o rea😋😉😇ll😇😜y😅😶🤪 des😬🙃😬😂crib🤣e🤕🤒 this e🤮!ra it would 😒😜🤔no dou😋😇b😋😛🤥t be necessary 😪,😗`.to s,/🙂🙃🤔how .🤭ma@😬😅ny o😌🤢\the🙄,r things. But wh at w😇;/ou:ld be =t🤢🤔@he poi🤨🤢😆🤫nt　　B/
😉😅😍etter to grasp the😑
🤐=? totality of what has ]🙃bee-🤥😃%n don🤢😬`e and 😐^🤫🥰🤮w;😆hat remains 😑$to; be:*# 😀🤩 ?done than to add m🤪😃ore ruins to the *😂😍old world =🤮o]f the /😍🤣🤐spectacle and of mem^ories.　　1. This film,😶\ 😷#😜which 😬#e vokes t😗]?he lettrist ex)😊periences @at -😴🤒the origin of?😚:😊 the situationist 😍🤗😂m🤕%😘ovement, opens w@🥰😘ith s 😃😗🙄hots @🤨😂o🙂f `😇the Par^is🤤😇 di🤫🤪?st😐😴 ric🤪😅😜😴t frequ😶:?ented by th😗🤨,e😆 l=😏🤕😄et$🤭#;😝trists😚 in 🤒th _😘e earl-?😗😪y 19😍;50s.