流浪๐Ÿคช๐Ÿคช๐Ÿ˜„女

流浪๐Ÿคช๐Ÿคช๐Ÿ˜„女

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剧情片1922法国法语
ๅฏผๆผ”
路易ยท德吕克
ไธปๆผ”
伊芙ยท弗朗西斯,Gine,Avril,罗歇ยท卡尔,Andrรฉ,Daven,米歇尔ยท迪朗,Jean,Wiener,波利娜ยท卡尔东

ๅœจ็บฟๆ’ญๆ”พ

ๅ‰งๆƒ…็ฎ€ไป‹

Lik๐Ÿ˜‘#๐Ÿค—=e his fi[๐Ÿคข๐Ÿ˜ชery ๐Ÿ˜‘๐Ÿ˜š๐Ÿ˜stud+`y o๐Ÿค•๐Ÿค‘f ๐Ÿ˜„๐Ÿ˜ถa p๐Ÿ˜œ+opul๐Ÿ˜’๐Ÿ˜š๐Ÿคญ๐Ÿ™„๐Ÿค”ar mi\๐Ÿ˜—lieu in Fiรจvre, L๐Ÿค‘ouis๐Ÿ˜ƒ๐Ÿ˜‹๐Ÿ˜—; Delluc's ๐Ÿ˜‚.ea๐Ÿ˜ฌ[%rly :(masterpiec(*!e๐Ÿ˜—๐Ÿค— ๐Ÿ˜”๐Ÿคค๐Ÿ˜of imp๐Ÿคฉ-๐Ÿ˜šressionist cine ๐Ÿ˜‹๐Ÿ˜…ma๐Ÿคข ๐Ÿฅฐ[,๐Ÿค๐Ÿ˜ถ La Femme ๐Ÿคซ@de )๐Ÿคจ๐Ÿ™‚Nu๐Ÿ˜ฌ๐Ÿ˜ทlle Part, is almost๐Ÿฅฐ๐Ÿ˜€๐Ÿ˜™๐Ÿ˜๐Ÿค‘ impossible to=?๐Ÿ˜ฌ๐Ÿค see outside of __๐Ÿคฎ๐Ÿ˜‹;rare ๐Ÿ˜†๐Ÿ˜’a๐Ÿ˜™)_rc๐Ÿคค๐Ÿ˜’+=hiva๐Ÿ˜šl \๐Ÿ˜pro๐Ÿคฎ@๐Ÿค’-jecti๐Ÿ˜*o๐Ÿคจn/- s in Pari(๐Ÿ˜๐Ÿ˜…s. S%๐Ÿ™„h`๐Ÿ˜ot in(๐Ÿ™ƒ natural ๐Ÿค—settings, an๐Ÿ˜‚%d strip$๐Ÿ˜… ped of all that i๐Ÿค‘๐Ÿ˜‰#@s not cinema, De๐Ÿ˜š๐Ÿค’๐Ÿ˜ท(๐Ÿ˜„lluc's psy๐Ÿค”๐Ÿ™ƒ๐Ÿ˜‰cho๐Ÿ˜—๐Ÿ™‚lo]๐Ÿ˜‰g๐Ÿ˜Š+ical d๐Ÿคค\^ra๐Ÿ˜๐Ÿคคma๐Ÿ˜ด ๐Ÿ˜˜ featuring symbolist mus,๐Ÿ˜še E๐Ÿ˜”:ve Fran!cis is a๐Ÿ˜ฌ๐Ÿ˜€๐Ÿฅฐ-n expe ๐Ÿค”r๐Ÿคฎ๐Ÿ˜ช๐Ÿคคiment ๐Ÿคข)[๐Ÿ˜ฌi๐Ÿ˜™=[n 'direct style.' A๐Ÿ˜‰๐Ÿ˜… ๐Ÿ˜ท]fascinating study in th;๐Ÿ˜€e#?#๐Ÿคช๐Ÿ˜ rel๐Ÿ˜ƒationship ๐Ÿ˜๐Ÿ˜๐Ÿ˜bet๐Ÿ˜(ween past and `*pr)๐Ÿ™‚esent๐Ÿ˜‡, mem๐Ÿ˜ด๐Ÿค•$+ory,๐Ÿ˜‹๐Ÿ˜€๐Ÿ˜” drea.m and reality, th๐Ÿ˜ši๐Ÿคฎ`๐Ÿ˜๐Ÿ˜›s revo๐Ÿ˜Š๐Ÿคซ]lutionary film would be a s๐Ÿ™„๐Ÿคฎo/๐Ÿ˜‘^urce of\๐Ÿคญ;๐Ÿ˜ด inspi๐Ÿ˜—?ra๐Ÿ˜ฌ๐Ÿ˜‘tio๐Ÿคฉ_๐Ÿคจ๐Ÿ˜n f๐Ÿ˜ท;๐Ÿคซor `,%succes๐Ÿ˜—๐Ÿคข(sive film#๐Ÿ˜„m=#๐Ÿ˜๐Ÿ™„a *๐Ÿ˜—]kers, ,]๐Ÿ˜„from Franco๐Ÿคซ๐Ÿ˜…๐Ÿ˜ƒis Truffaut to Alain Resnais.